One-Hundred Ten Word Reviews
• 15/04/2011 • Leave a CommentPosted in Just... Stuff, Organisational Stuff, Review Stuff
Tags: 2666, A Clockwork Orange, A Void, Aaagh! It's The Mr. Hell Show, Adam Sandler, Alan Moore, Alasdair Grey, Albert Camus, All Star Superman, Alphabetical Africa, Amanda Palmer, Arrested Development, Ashley Wood, Automatic Kafka, Azar Nafisi, Bastard, Battle Los Angeles, Battlestar Galactica, Beloved, Bible's Buried Secrets, Black Books, Blood Red Shoes, Box of Secrets, Boy In Da Corner, Brian Cox, C, Charlie Brooker, Christian Bök, Crime and Punishment, Dave Gibbons, David Foster Wallace, Dirk Gently's Holistic Detective Agency, Dizzee Rascal, Doctor Horrible's Sing-Along Blog, Dollhouse, Don Quixote, Doublefine, Dr Strangelove or; How I Learned to Stop Worrying and Love the Bomb, Due Date, Duncan Jones, Easy A, Eeeee Eee Eeee, Ella Minnow Pea, Enter The Void, Eunoia, Fallout: New Vegas, Félix Fénéon, Felicia Day, Flex Mentallo, Flight of the Conchords, Francesca Stavrakopoulou, Frank Quitely, Funny People, Fyodor Dostoyevsky, Gaspar Noe, Georges Perec, Grant Morrison, Gravity's Rainbow, Harry Potter & The Deathly Hallows: Part One, Haruki Murakami, His Dark Materials, How TV Ruined Your Life, Iain Banks, Infinite Jest, J.R.R. Tolkien, Jamie McKelvie, Joe Casey, John Cassaday, Johnny Vegas, Josie Long, Judd Apatow, Kama Sutra, Kat Dennings, Kathy Acker, Kieron Gillen, Lady Gaga, Lanark, Laura Martin, Leslie Mann, Limitless, Lolita, Mark Dunn, Marvel vs. Capcom 3, Michael Cera, Miguel de Cervantes, My Idea of Fun, Mystery Team, Neil Patrick Harris, Nick & Norah's Infinite Playlist, Nick Frost, Norwegian Wood, Novels in Three Lines, On Monsters, One-Hundredth Post, Oscar Wilde, Oulipian, Outcasts, Paul, Peep Show, Philip K. Dick, Philip Pullman, Phonogram, Planetary, Reading "Lolita" in Tehran, Rear Window, RED, Red Dead Redemption, Reviews, Rob Brydon Steve Coogan, Roberto Bolaño, Samuel Beckett, Seth Rogen, She Like Electric, Sherlock Holmes, Simon Pegg, Smoosh, Source Code, Spider-Man: Shattered Dimensions, Stacking, Stanley Kubrick, Stephen T. Asma, Steven Sherrill, Stewart Lee, Studio 60, Sucker Punch, T.S. Eliot, Talking With Gods, Tao Lin, The Birds, The Crying of Lot 49, The Fame Monster, The Lord of The Rings, The Maltese Falcon, The Man in the High Castle, The Minotaur Takes a Cigarette Break, The Outsider, The Pale King, The Perfect Fool, The Picture of Dorian Gray, The Quantity Theory of Insanity, The Third Man, The Trip, The Wasp Factory, The West Wing, The Wire, Thomas Pynchon, Tom Beland, Tom McCarthy, Toni Morrison, Treme, True Story Swear To God, Trying Is Good, Tyler the Creator, Uncharted 2: Drake's Fortune, Vegetable Stew, Vladimir Nabokov, Waiting for Godot, Walter Abish, Warren Ellis, Watchmen, We3, Who Killed Amanda Palmer, Who's Ready For Ice Cream?, Will Self, William H. Gass, Willie Master's Lonesome Wife, Wonders of the Universe
The Renaissance Man: Postmodern Idiosyncrasies
• 09/01/2011 • Leave a CommentPosted in Essay-Type Stuff, Organisational Stuff
Tags: Anarchism, Anarchy, Bomberman, C, Cerebus, Charlie Chaplin, Concerning Monsters, Dave Sim, David Hine, Emma Goldman, Gerhard, Hudson Soft, inFamous, Kala, M.I.A., MAYA, Shaky Kane, Sucker Punch, The Bulletproof Coffin, The Great Dictator, Tom McCarthy, VICKI LEEKX
